Italian Harpsichord-Building in the 16th and 17th Centuries

In "Italian Harpsichord-Building in the 16th and 17th Centuries," John D. Shortridge presents a meticulous exploration of the craftsmanship, techniques, and cultural significance surrounding harpsichord construction in Renaissance Italy. Through detailed analysis enriched with historical context, Shortridge examines the evolution of the instrument's design, the interplay between artisans and composers, and the socio-political influences shaping music and instrument-making practices. His scholarly prose, characterized by a blend of technical precision and accessibility, illuminates lesser-known historical figures and workshops, revealing their contributions to the legacy of the harpsichord. John D. Shortridge is a distinguished musicologist whose extensive research focuses on historical performance practices and instrumentology. His academic background—anchored in both music theory and history—coupled with hands-on experience in period instrument reconstruction, has uniquely positioned him to delve into the intricate world of string instruments. Shortridge's passion for reconciling history with contemporary understanding is evident in this work, which serves not merely as a static historical account but as a living exploration of a pivotal musical tradition. This book is an essential read for musicologists, musicians, and enthusiasts of Baroque music alike, as it offers not only a comprehensive overview of harpsichord-making techniques but also a profound appreciation for the artistry involved in this craft. Shortridge's insightful conclusions encourage deeper reflection on the vital role of the harpsichord in shaping the musical landscape of its time, making it a valuable addition to any collection on historical music and instrument studies.